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Yeon Jin Lee

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Learning to Act, Learning to Write

Last December, I decided to finally muster up the courage to enroll in an acting class. I’d wanted to learn acting for a long time. My directing professor, Barnet Kellman, encouraged us to take acting classes to learn how to direct actors. When a month opened up free of schedule, I jumped on the acting class as a life line to inject some weekly structure in my schedule. The class, and all that I learned, came to mean much more to me than that.

Actors have many superpowers that I deeply admire, chief of which is the power to put you at ease. When I stand in the company of an actor(s) who have this superpower, I relax a bit. Maybe it’s because they make me feel seen. Maybe it’s their body language — maybe actors are more comfortable in their skins than us. Whatever it is, this is probably one of the things I admire and want to emulate the most.

I also wanted to learn how to confidently speak in public, as actors seem to be able to do. I noticed this in my peers in film school who have an acting background. They’re not afraid to stand in the light and to tell a story. I really wanted to develop this muscle.

I was so privileged to have an unscheduled block of time during the past three months to try my hand in acting. Now that time is coming to an end, I’m more than a bit sad. I really love being with actors — they are very special and I feel seen among them. I will miss them a lot.

Learning the art of acting taught me how difficult this art form is. I will hopefully never again take good acting or actors for granted. It takes so much practice to learn the lines until it becomes muscle memory. I’m still recovering from the six minute scene that I bombed last Saturday. I thought I knew the lines until I stood up on that stage, and then BAM — strong start, then lines left my brain. It was very embarrassing but also so humbling in a freeing way. It taught me that you have to earn the stage, the spotlight. It has to be the most important thing until the minute I get up on the stage. I regret my cavalier attitude to performance.

Acting also taught me what a playable scene is, and how to write one. Knowing what the character wants in the scene helps make it playable. So does conflict. Pauses are hard. Quiet scenes are hard, at least for an unsophisticated actor like me. Playable scene also has beautiful dialogue that has really clear subtext. I’ll never forget that scene from Sideways where the two characters are talking about wine, but they’re really talking about themselves. Acting taught me how to write dialogue — repetition of words, antithesis, rhythm… good dialogue is musical, so much more musical than writers realize. Good dialogue sings. It truly sings. Greta Gerwig writes singing dialogue. Alexander Payne. Emerald Fennell. Michaela Cole. Phoebe Waller-Bridge. Damn, all of them except Alexander Payne are actors. See what I mean about actors having superpowers? One of them is that they’re great writers.

Prior to acting, I thought a screenplay is a visual medium with lots of action lines and some dialogue sprinkled in. Nope. It’s as auditory a medium as it is visual.

Part of me really wants to continue the class, but I know it won’t be fair to the fellow actors, my new manager, my new job, and ultimately to myself. Spreading thin doesn’t do anyone any good. So for now, I’m bidding acting class adieu. Yes, I’ll always remain an amateur in acting in true sense of that word, as its root word means to love. And I think I’m okay with that. But I’ll always appreciate it for what it taught me. It taught me the value of its art form, how to respect its traditions and the people who carry it forward, how to fail, how to be kind to others (actors are so good at this!), and how to write scenes that have, at the very least, germ of truthfulness in them.

categories: Art, Film, Life
Monday 03.18.24
Posted by Yeon Jin Lee | Writer & Filmmaker
Comments: 2
 

On ORIGIN

I just watched Ava Duvernay’s film ORIGIN. And it was absolutely breathtaking and almost heartbreakingly underrated and under-marketed. It’s a film that almost everyone should see, a piece of art as important as all the other arts that have brought on great social change. It’s masterfully rendered, tugging at our pathos, ethos, and logos as a great story does. I don’t understand why we’re not talking about this film enough.

It dramatized and put to cinematic language all the nuanced moments I have experienced and witnessed as a first-generation immigrant in the United States. The land of irony. It perhaps left out one important subgroup while mentioning so many others in sequence. The undocumented immigrants in the United States. I hope that one day I can fill in this gap. I hope to tell a story that sheds light on the current Caste system in America, which has to do with how we treat over 10 million undocumented immigrants in the United States.

There’s a scene where Aunjanue Ellis-Taylor’s characters tries to convince a Jewish woman living in Germany that the past experiences of Jews and Blacks are linked somehow. The Jewish woman almost cannot accept this. And it rang true. It’s difficult to acknowledge that the parts in us that hurts the most, whether it’s a personal trauma or generational, can be compared and found similar to another subgroups’ sufferings. Sometimes, we become identified with the experiences that have hurt us the most. I don’t know why this happens. Maybe because that particular minority moniker that caused so pain within us becomes engrained in our identity and how we see ourselves. I don’t know why, for instance, my identity as a woman and my identity as a first-generation immigrant is so much stronger than my identity as an Asian. Maybe it’s because I have witnessed and felt isolation and loneliness in these two identities, and became attached to them like a life raft lest I forget what had happened and become complacent. Maybe it’s because I see my vocation as bearing witness to what I’ve seen and felt, and dreaming up what I hope can be different for my younger self and for those who share similar experiences.

I see why Angelina Jolie hosted a screening of ORIGIN recently at The London. Those who experienced heartbreak, which is all of us, can see a film and empathize with the heartbreak of the writer / filmmaker who bled on the page to tell the story. And I hope that the monumental effort that goes into telling a meaningful story gets its moment in the sun. To me, ORIGIN is a type of film that I hope to make someday. It’s more meaningful, more emotional, more engrossing than OPPENHEIMER or BARBIE.

I read one of the reviews for ORIGIN that people walked out of the theater after ten minutes because it was too “heavy”. That’s… I think that’s like being a good German. And that’s what we’re doing as a nation to news about undocumented immigrants. Forever subjugating it to secondary news of non-national importance. We’re so entranced by the world news and what goes on elsewhere. But we’re so afraid of facing what goes on within our own nation. That our caste system is alive and well, and that we’re all participating in it by not speaking up against it. I hope someday I’ll have the courage, the artistry, and the business acumen to speak up about what I have witnessed and what I know to be true. That our nation can be a beautiful place if we only open our eyes to see and accept the injustices that go on.

tags: film
categories: Film, Art, Life
Friday 02.02.24
Posted by Yeon Jin Lee | Writer & Filmmaker
 

What I learned in 2021

Year 2021 taught me many lessons that I want to cherish, remember, and update. I wanted to capture them here as a reminder to myself, as guideposts toward the North Star.

I learned that I am a writer, and that I prefer writing to producing, and producing to directing.

I learned when I live with my parents I expend a lot of my creative energy to appeasing / worrying / anticipating their wants and needs. 

I learned that not writing regularly makes me so unhappy and ragey and inhibits my ability to be productive in any other area in my life. And that that the act of writing gives meaning to my existence. 

I learned that I’m a genre writer, and that genre - specifically thrillers - allows me freedom to explore the shadow side of both myself and others. And that in exploring this, I gain greater understanding of myself as a whole - both light and dark. 

I learned that I love living by myself. But also that it sometimes get unbearably lonely around the holidays. And that having a glass of wine and milk chocolate somewhat helps.

I learned that a movie projector is one of the best purchases I’ve made in my life. 

I learned that prestige, accolades, honor are useless indicators of how good a someone is as a collaborator. In fact they may work to disguise red flags in a person’s character, so they obfuscate rather than reveal.

I learned that I love writing about what it feels like to be a girl in Silicon Valley.

I learned that I love making podcasts, and that its limitation (lack of picture) is actually very freeing for a creative.

I learned that I May Destroy You is about introspection and not consent, and I loved that. 

I learned that I get ahead of myself and land myself in a hole when I get too excited and too ambitious about some future achievement or impressing someone. And that a remedy to this is to let that go and come back to myself, and write just for myself. 

I learned that budgeting sucks and takes a long time. But necessary. This goes for both movies and personal finance.

I learned that my current job is a day job. And that day jobs require a different mentality than a career. It’s not about outperforming to get ahead and earn more money. Day jobs are to be contained, enjoyed, and should be used to support the real job of being a creative. 

I learned that it’s critical for me to be financially self-sufficient in order to create sustainably, and also that best jobs are the ones that allow you to write and give you the satisfaction of meeting other people who are doing creative things. 

I learned that I can cook.

I learned that the sense of safety I have been seeking is from my twelve year old self. And that reminding myself that I’m here in the present and that the current reality is safe, helps me feel calmer. 

I learned that therapy helps. 

I learned that remote jobs don’t work for me because so much of what I am seeking in a job is dependent on interpersonal interactions and connection.

I learned that writing groups really help. 

I learned that when I feel stuck, I can take a day off from work and just be.

I learned that I can walk to museums and many of them are free or have free weekends. And that audio visual experiences are healing and inspiring.

I learned that writing characters that are too dark in a one-sided way lands me in hole that’s non-productive and unhappy. And that the stories I want to write have characters (protagonists, antagonists, supporting) that can elicit my empathy.

I learned that I need to always remember and choose to get the right results the right way. And that taking shortcuts that feel overly self-justified and live in a shady ethical area will cause me much unrest and anguish until I can see what I’ve done, make it right, and surrender it to God.

I learned to say “yes” only to things that deeply resonate in every cell of my body and in my soul. A “Hell Yeah or No” as John August calls it. No to everything else. Remember Oprah’s words: "Never again will I do anything for anyone that I do not feel directly from my heart. [I will say no to projects] in which every fiber of my being does not resound yes. I will act with the intent to be true to myself."

tags: Life
categories: Life, Film, Art
Monday 01.03.22
Posted by Yeon Jin Lee | Writer & Filmmaker
 

Musings on Producing

Film producing feels like putting together a 2000-piece puzzle while the timer is ticking down. Frustrating until you see the pieces fit together. Extremely gratifying when the whole picture is revealed to you at the end.

categories: Film
Saturday 06.08.19
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Ode to New York

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Everything about New York blows me away. The diversity of people, amazing art collection, bookstore with history and charm, delicious food, the lights of the Times Square and Broadway, music of the NY Philharmonic, impressive skyscrapers, historical buildings, parks with so much character. I can't count the ways this city draws me and charms me. The four days I'm spending here turned out to be the best weather New York has had in a long time. It was preceded by a thunderstorm and temperature drops. The only side of New York I have seen is a city saturated in vibrant colors under warm and bright sunlight, and I feel impelled to to move here immediately.

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The city somehow injected me with energy and health that I haven't had before. In two days it satiated the artistic paucity I felt for years. Surely it can't be all roses to live here, but it's unfair that I only get to see the best that New York has to offer because somehow I got lucky with the weather. I wonder if money would be a deciding factor in whether one enjoys New York or not... and I feel very lucky to have the means to go to the concert and not worry about starving for the next month.

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It's eleven pm at night but I feel like I want to step out again, to gaze at the city from the top of the Empire State Building, to admire the Art Deco floors and the golden statue in front of the Rockefeller Center. And it's amazing to behold the sight of Broadway and the Times Square... I wonder if you can feel lonely in the middle of all the warm glow of lights. I'm sure you can but tonight I just felt alive and happy to behold the sight in awe.

The ode to this city has been sung many times by writers (E.B. White "Here is New York), filmmakers (just see any Woody Allen film or hear him open his mouth), artists (Winogrand), jazz singers, pop singers, musicals, tv shows, etc etc. With all this hype from so many self-professed 'New Yorkers' and admirers of the City,  I thought I would feel blasé and I am so surprised to find myself so in love with a city and long to be with it as if it were a human entity. It's a weird feeling.

So here is my ode to the great city, in the form of a blog post and couple pictures. And someday, I will have to move and work here and earn the claim to 'know' the city like a true New Yorker.

categories: Art, Film, Life
Thursday 09.18.14
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Comments: 1
 

Italian Cinema Scores by NY Philharmonic

La Dolce Vita: The Music of Italian Cinema New York Philharmonic

La Dolce Vita: The Music of Italian Cinema New York Philharmonic

The Program

The Program

My friend brilliantly noticed, while traveling in NYC in August, that NY Philharmonic was scheduled to do a night of Italian Cinema called "La Dolce Vita", including a piece from Cinema Paradiso. It was a two-day event with amazing violinist Joshua Bell, vocalist Josh Groban, and soprano Renee Fleming scheduled to perform. The last day of this event fortuitously fell on the day of my arrival at New York City. So despite the jetlag from time difference and flying the red-eye, I attended the event at the Lincoln Center.

I guess I should disclose that I have an on-going love affair with Italian Cinema. I haven't seen enough of Italian Cinema yet to qualify myself as an aficionado, but I find myself extremely attached to the ones I have seen. The one in particular is Cinema Paradiso, which captures the wonderment of childhood, and is steeped in beautiful nostalgia and melancholy over the innocence and naivete that often inevitably goes away as we grow older. But truthfully, these movies would mean almost nothing to me without the scores by Ennio Morricone (Cinema Paradiso, Once Upon a Time in the West), Nino Rota (Fellini's films like 8 1/2, La Dolce Vita), and Luis Bacalov (Il Postino).

New York Philharmonic did this very smart thing where instead of playing the footages from the movie like SF symphony does to scores, they commissioned an Italian film director Giampiero Solari to create a visual screen play for the performance. I felt that I could really experience the power of music and its role in cinema without confusing which is influencing me more (was it the images or the score?!?!). Tonight, music assumed a leading role in the world of cinema and made it clear to everyone in attendance of its power in storytelling and provoking deep emotions that transcend time and space.

Joshua Bell performed as a violin soloist on the Suite from "The Anonymous Venetian". It was heart-wrenchingly beautiful, and I think I had to actively fight the tears from flowing. His violin seemed to be telling a beautiful story, and all I could do was empathize with its melancholia, its vulnerability, its passion as the song played.

The piece I was looking forward to, called "Se", from Cinema Paradiso, ended up disappointing me. Possibly because I have heard that piece on youtube so many times (possibly around hundred times) without the singers (and with Ennio Morricone conducting: https://www.youtube.com/watch?v=1FzVWlOKeLs). The singing somehow took away from what was already perfect, or that was how I felt at the end of that piece...

The NY Phil also played a piece from Life is Beautiful, and the gorgeous footages from the movie played (instead of the animation), along with the piece that ebbed and flowed, swelled with the crescendo and made our hearts melt into pools of emotions.

So these are the movies on my to-watch or re-watch list:

  • Life is Beautiful

  • Cinema Paradiso

  • Il Postino

  • Once Upon a time in the West

  • Incontro

  • Amarcord

  • Profumo di Donna

  • Juliet of the Spirits

categories: Art, Film, Life
Wednesday 09.17.14
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Picking up the brush again...

It's been about four years since I've drawn/painted anything. I think I couldn't justify the act of drawing/painting - I mean, I wasn't going to become an artist. My profession is clearly in computer science and everything else seemed like such a waste of time. Recently though, I met someone who convinced me to pick up the brush again and get back to painting. I watched Casino Royale with him and the image of Vesper Lynd stayed with me. It sort of shocked me that a Bond Girl can be witty, brainy, and vulnerable (as well as beautiful - I think you have to be if you are a Bond Girl). Anyway, Here are the paintings:

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categories: Art, Film, Life
Saturday 10.13.12
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Comments: 3
 

SIGGRAPH 2012 Recap

SIGGRAPH [Sig-Graph]

Definition: Name of the annual conference on computer graphics (CG) convened by the ACMSIGGRAPH organization. Dozens of research papers are presented each year, and SIGGRAPH is widely considered the most prestigious forum for the publication of computer graphics research.

Our paper, Updated Sparse Cholesky Factors for Co-Rotational Elastodynamic, was presented at SIGGRAPH. Here's a picture of me and Florian (first author) doing a silly 40-sec advertisement of our session during Tech Papers Fast Forward.

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SIGGRAPH ends up being a big re-union of friends since graphics industry/academia is so tightly knit. The left half of us met at PIXAR during the Summer Internship. Lot of us ended up in the visual effects studios including Pixar, Weta, and Bungie and we started our new jobs within few months of each other. The right half are my friends from Berkeley Graphics Lab. Everyone loves technology, art, and being a nerd. I loved spending time with these like-minded people. 

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Curiosity landed on Mars succesfully on the first day of SIGGRAPH. There was a viewing session set up at the Geek Bar in Los Angeles Convention Center. A fair amount of people came, including my family who snuck in to the geek bar to watch the landing with me. I believe my mom cried during the landing. It was so emotional and I felt so proud to be an engineer.

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And I got some quality time with my family and my parents' not-so-small-anymore pug. It looks just like Frank the Pug from Men in Black. This pug changed our family dynamic from a grouchy family to a loving family. It loves everyone it meets. Here's me pinching its velvet-pin-cushion cheeks.

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One of the best things about SIGGRAPH is the screening of selection from the SIGGRAPH Animation Festival. I got to watch Disney's new short Paperman, which is screened in front of Wreak it Ralph. The style of it was an interesting blend of 2D and 3D framed in photographic black-and-white. I watched it three times, and during the third one I teared up a bit. It moved me in the best way. Definitely a dreamer and romantic's pick of the evening.

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I also loved the style of Twinings commercial called "Gets You Back To You". My favorite part is when her feet plunges in to the shallow ocean. Makes me want to walk along the shores of Seal Beach before I head back to Silicon Valley.

During downtime, I wandered into the SIGGRAPH Bookstore. It's awesome because someone already did the work for you in selecting the books in your interest range. I ended up buying bunch of them:

C++ Coding Standards: 101 Rules, Guidelines, and Best Practices

Herb Sutter, Andrei Alexandrescu

I heard of this book through an amazing coder I programmed with at Berkeley. He was a C++ guru and when I asked him how he picked up C++ (Berkeley doesn't teach it to you) he mentioned that he read a red C++ book over Summer. I assume it's this one since it's one of the more well known red-books on C++.

The DSLR Filmmaker's Handbook: Real-World Production Techniques

Barry Andersson, Janie L. Geyen

I am considering purchasing a DSLR and shooting videos in my spare time (weekends tend to be open). Reading a book about production usually doesn't help with the process unless you absolutely have no clue as to where to start. Well, I have zero knowledge and any starting point will probably help.

An Interdisciplinary Introduction to Image Processing: Pixels, Numbers, and Programs

Steven L. Tanimoto

Can't wait to read this book. It looks at image processing from creative and artistic as well as technical point of view. 

3D Engine Design for Virtual Globes

by Patrick Cozzi

My friend Josh bought this book. I picked it up again at the store and read couple pages and realized that it's directly related to projects done by my team at NASA. It covers terrain reconstruction among other topics. I can't wait to read this one and hopefully implement it for planetary bodies. 

More detailed blog on technical talks at SIGGRAPH will be coming soon, including the ones on Mobile GPUs. So stay tuned...

categories: Computer Graphics, Film, Life
Friday 08.10.12
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Comments: 3
 

Moonrise Kingdom

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My roommate, Nicole, invited me to the showing of Moonrise Kingdom as part of her birthday celebration. I had seen the trailer and gathered that it's a film about two kids in New England who decide to runaway together. The film takes place in the sixties. I would have dismissed the movie if it wasn't for the cast and the pretty movie trailer (and the 94% rotten tomatoes rating also helped). I swept aside my Asian guilt (I thought about spending this evening coding) and joined her and her friends for the movie showing.

Moonrise Kingdom, whose title sounds like a Chinese martial arts movie, is so pretty. It's like candy to your eyes and ears. It's so pretty that I wanted to take frames out of it and post it around my room. Every scene is like a vintage polaroid photo. An advertisement from the 60s. It's as if Wes Anderson shot the movie through Instagram.

The plot is simple and yet each moment is full of innocence, wonderment, and adventure. And Wes Anderson  portrays children as complete human being with full mental faculty and emotional complexity! But frankly all that stands out in my memory is the color palette. The sepia and pink hues, the golden fields, washed out blues, red and green standing out against the desaturated background. There is such a decisive and consistent look throughout the film.

I guess one thing that slightly bothered me was the visual imagery of the night time scene. The rain is pouring and it's the evening. And either the director or the post-production crew decided to blue-filter the sh#$ out of it. So everyone's faces look blue. Like ghosts. I didn't particularly like the look but maybe it was the look they were going for.

I appreciated that the film didn't water down childhood. I find that childhood portrayed through Hollywood is either idealistic, fantastical, really sad and dreary, or some other end of the spectrum. The subtlety and complexity is usually entirely missing. Wes Anderson deals with it very delicately, being careful not to shift to the extremes I mentioned. And the acting from these kids is amazing. I loved the gaze of the main character (the girl). It's always distant and full of meaning, and we can never really guess all that goes inside her head.

Overall, I loved it. Two hours well spent and coding could wait.

tags: Art, Life
categories: Film
Wednesday 07.11.12
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Caramel

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Ever since I heard about this movie, a foreign film from Lebanon that takes place in Beirut and written, acted, and directed by Nadine Labaki (a female director to boot), I wanted to see it but kept pushing it off. It came up again on my Netflix watch list so I finally decided to watch it tonight.

And it whirled me into its world: a small beauty salon in Beirut where people come to share their personal drama, joy, worries, and hopes. It's a pastiche of different stories that involve women who work in the beauty salon and their frequent customers.

And you will never guess what the caramel is used for. Hint: it's not for eating.

There are many poignant moments in the movie and what I appreciated the most was the honesty in which these poignant stories are shared. Unlike in Hollywood movies, where the story takes expected turns to satisfy the audience, Caramel has moments of disappointment, disillusionment, but ultimately hope. The beauty of life shown through its most mundane, every day moments. I loved it.

I was reminded of a quote from Gogol's Dead Souls, which strangely fits this movie:

And for a long time yet, led by some wondrous power, I am fated to journey hand in hand with my strange heroes and to survey the surging immensity of life, to survey it through the laughter that all can see and through the tears unseen and unknown by anyone.

tags: Art, Life
categories: Film
Tuesday 07.10.12
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